If you ask most audiophiles to describe the main acoustic problem in their listening rooms, they'll probably tell you there's too much ambience and echoes. Or perhaps they'll report that stereo ...

When pesky resonant modes make an otherwise good recording facility sound hollow and tankish, hanging foam or carpet on the walls will usually fail to fix the problem. Without belaboring physics, ...

In 1979 TEAC introduced the 144 Portastudio, and the recording industry hasn't been the same since! In those days a decent limiter cost nearly $1,000 and a good spring reverb unit would set you back ...

Pesky bass waves muddying the sound of that live act in your studio? Or maybe enthusiastic users of the production studio have fallen in love with the subwoofer? Auralex might have a solution for you ...