Cannes opening day was packed, from a rousing screening of Guillermo del Toro’s Oscar-winning classic “Pan’s Labyrinth” with ...

Like her grandfather, Elia Kazan, the multi-hyphenate is tackling John Steinback's American classic, this time for a new ...

Jordan Firstman discusses 'Club Kid,' his tender feature debut about queer nightlife and chosen family. World premiere Cannes ...

The Roast of Kevin Hart' was a tentpole for Netflix's comedy festival, an Emmys FYC event, and an example of Netflix's ...

IndieWire celebrates the summer of 1996 on its 30th anniversary, with a look at 'Independence Day,' 'Mission: Impossible,' ...

Here’s what I want to plant in the middle of this column so it can’t be missed: The industry doesn’t owe you a career. It ...

Diego Luna's latest directorial effort, 'Ashes,' tells a complex migration story between Spain and Mexico. Review.

Exclusive: In an excerpt from the 'Documentary Now!' book, 'Peter Bogdanovich' (not the real one) looks back on "Kunuk the ...

Kantemir Balagov’s shambling but arrestingly strange English-language debut 'Butterfly Jam' refuses to conform to the ...

Tacquet's latest exploration of what feminine sensuality looks like unfolds in chapters, some of which stun, while others ...

The film called "I Passed This Way" is based on a 1927 novella by Eugene Manlove Rhodes.

Cannes: Phuong Mai Nguyen's adaptation of the graphic memoir of the same name is stunning to see, much harder to truly feel.